Buzz Buzz A Diddle It – Música

Matchbox is an English rockabilly band that formed in 1971, and is still active as of 2016.
Singles
1980 – “Buzz Buzz a Diddle It”

Matchbox – Buzz Buzz A Diddle It

Well, I was rollin’ down the highway
To see my baby Ruth
Car broke down, tire blew out
Found a telephone booth

I tried to call my honey
What was the sound I had to hear?
(Buzz buzz a-diddle-it) In my ear?
(Buzz buzz a-diddle-it)

Yeah, it’s some endless yackin’ hound dog
Obviously talkin’to my dear

(Buzz buzz a-diddle-it)
(Buzz buzz a-diddle-it)

Central seven, who’s on that line?
Break through to my baby
3-0-9-3-9

Oh, S.O.S. sweet mama
Switch me to heaven, get me through

(Buzz buzz a-diddle-it)
(Buzz buzz a-diddle-it)
Telephone, operator
My lovin’ future hangs on you
(Buzz buzz a-diddle-it)
(Buzz buzz a-diddle-it)

Hang on!
Eee-a!
Ow!
Oooh!

Ah!
Ow!

Central seven, who’s on that line?
Break through to my baby
3-0-9-3-9

Oh, S.O.S. sweet mama
Switch me to heaven, get me through

(Buzz buzz a-diddle-it)
(Buzz buzz a-diddle-it)

Telephone, operator
My lovin’ future hangs on you

(Buzz buzz a-diddle-it)
(Buzz buzz a-diddle-it)
(Buzz buzz a-diddle-it)
(Buzz buzz a-diddle-it)

(Buzz buzz a-diddle-it)
(Buzz buzz a-diddle-it)
(Buzz buzz a-diddle-it)
(Buzz buzz a-diddle-it)

Come on, honey (Buzz buzz a-diddle-it)
(Buzz buzz a-diddle-it)
Talk to me, baby (Buzz buzz a-diddle-it)
(Buzz buzz a-diddle-it)

Come on, sugar (Buzz buzz a-diddle-it)
(Buzz buzz a-diddle-it)
Get me baby! (Buzz buzz a-diddle-it)
Ow! (Buzz buzz a-diddle-it)

(Buzz buzz a-diddle-it)
Ow! (Buzz buzz a-diddle-it)
(Buzz buzz a-diddle-it)
Oooh! (Buzz buzz a-diddle-it)

Heartbreak Hotel – Música

“Heartbreak Hotel” is a song recorded by American singer Elvis Presley. It was released as a single on January 27, 1956, Presley’s first on his new record label RCA Victor. It was written by Tommy Durden and Mae Boren Axton.
A newspaper article about the suicide of a lonely man who jumped from a hotel window inspired the lyrics. Axton presented the song to Presley in November 1955 at a country music convention in Nashville. Presley agreed to record it, and did so on January 10, 1956, in a session with his band, The Blue Moon Boys, the guitarist Chet Atkins, and the pianist Floyd Cramer. “Heartbreak Hotel” comprises an eight-bar blues progression, with heavy reverberation throughout the track, to imitate the character of Presley’s Sun recordings.

Elvis Presley – Heartbreak Hotel (Audio)

Heartbreak Hotel

Elvis Presley Heatrbreak Hotel Live (1956`)

Well, since my baby left me
Well, I found a new place to dwell
Well, it’s down at the end of Lonely Street
At Heartbreak Hotel

Where I’ll be, I’ll be so lonely baby
Well, I’m so lonely
I’ll be so lonely, I could die

Oh, and although it’s always crowded
You still can find some room
For broken hearted lovers
To cry there in their gloom

They’ll be so, they’ll be so lonely baby
They get so lonely
They’re so lonely, they could die

Now, the bell hop’s tears keep flowin’
And the desk clerk’s dressed in black
Well, they’ve been so long on Lonely Street
They’ll never, never look back

And they get so, they get so lonely baby
They get so lonely
They get so lonely, they could die

Well, now, if your baby leaves you
And you got a tale to tell
Well, just take a walk down Lonely Street
To Heartbreak Hotel

Where you will be, you will be so lonely baby
You will be lonely
You’ll be so lonely, you could die

Oh, and although it’s always crowded
You still can find some room
For broken hearted lovers to cry there in their gloom

Where they get so, they get so lonely baby
They’re so lonely
They’ll be so lonely, they could die

Why Do Fools Fall In Love – Música

“Why Do Fools Fall in Love” is a song that was originally a hit for early New York City-based rock and roll group Frankie Lymon & the Teenagers in January 1956. It reached No. 1 on the R&B chart, No. 6 on Billboard’s Pop Singles chart, and number 1 on the UK Singles Chart in July.
The song helped to make Frankie Lymon a household name and would make him a rock and roll pioneer.

Why Do Fools Fall In Love – Frankie Lymon + The Teenagers – 1956

Ooooo wah, oooooo wah, ooooo wah, oooooo wah,
ooooo wah, oooooo wah, Why do fools fall in love

Why do birds sing so gay
And lovers await the break of day?
Why do they fall in love?
Why does the rain fall from up above?
Why do fools fall in love?
Why do they fall in love?

Love is a losing game,
Love can be a shame I
know of a fool, you see,
For that fool is me!
Tell me why, tell me why?

Why do birds sing so gay
And lovers await the break of day?
Why do they fall in love?
Why does the rain fall from up above?
Why do fools fall in love?
Why do they fall in love?

Why does my heart skip a crazy beat?
For I know it will reach defeat!
Tell me why, tell me why?
Why do fools fall in love?

Roll ‘Em – Música

Mary Lou Williams (born Mary Elfrieda Scruggs; May 8, 1910 – May 28, 1981) was an American jazz pianist, arranger, and composer. She wrote hundreds of compositions and arrangements and recorded more than one hundred records (in 78, 45, and LP versions). Williams wrote and arranged for Duke Ellington and Benny Goodman, and she was friend, mentor, and teacher to Thelonious Monk, Charlie Parker, Miles Davis, Tadd Dameron, Bud Powell, and Dizzy Gillespie.
– Career
…………… Benny Goodman asked her to write a blues song for his band. The result was “Roll ‘Em”, a boogie-woogie piece based on the blues, which followed her successful “Camel Hop”, named for Goodman’s radio show sponsor, Camel cigarettes. Goodman tried to put Williams under contract to write for him exclusively, but she refused, preferring to freelance instead.

============================

Benjamin David Goodman (May 30, 1909 – June 13, 1986), best known as Benny Goodman, was an American jazz clarinetist and bandleader known as the “King of Swing”.
– Partial discography
Roll ‘Em, Vol. 1 (1937, Columbia)
Roll ‘Em, Vol. 2 (1937, Columbia)

“Roll ‘Em” (1937) Benny Goodman

Roll ‘Em

Come And Go With Me – Música

“Come Go with Me” is a song written by C. E. Quick (a.k.a. Clarence Quick), an original member (bass vocalist) of the American doo-wop vocal group The Del-Vikings (also spelled Dell Vikings on Dot records releases, without a dash). The song was originally recorded by The Del-Vikings in 1956 and was released on Fee Bee Records. Norman Wright was the lead vocalist on this song. When the group signed with Dot Records in 1957, the song became a hit, peaking at #4 on the Billboard Hot 100 chart and becoming the group’s highest-charting song. The song was later featured in the films American Graffiti (1973), Diner (1982), Stand by Me (1986), Joe Versus the Volcano (1990), and Netflix film Set It Up (2018).

Come And Go With Me- The Dell Vikings

Dom, dom, dom, dom, dom, de, doobe, dom
Dom, dom, dom, dom, dom, de, doobe, dom
Dom, dom, dom, dom, dom, de, doobe, dom
Wah, woh, wah, wah wah

Dom, dom, dom, dom, dom, de, doobe, dom
Dom, dom, dom, dom, dom, de, doobe, dom
Dom, dom, dom, dom, dom, de, doobe, dom
Wah, woh, wah, wah wah

Love, love me darlin’
Come and go with me
Come go with me
‘way beyond the sea
I need you, darlin’
So come go with me

Come, come, come, come
Come into my heart
Tell me, darlin’
We will never part
I need you, darlin’
So come go with me

Yes, I need you
Yes, I really need you
Please say you’ll never leave me
Well, say, you never
Yes, you really never
You never give me a chance

Come, come, come, come
Come into my heart
Tell me, darlin’
We will never part
I need you, darlin’
So come go with me

Yes, I need you
Yes, I really need you
Please say you’ll never leave me
Well, say, you never
Yes, you really never
You never give me a chance

Love, love me darlin’
Come and go with me
Come go with me
‘way beyond the sea
I need you, darlin’
So come go with me

Come on go with me
Come on go with me
Come on go with me

At Last – Música

“At Last” is a song written by Mack Gordon and Harry Warren for the musical film Sun Valley Serenade (1941). Glenn Miller and his orchestra recorded the tune several times, with a 1942 version reaching number nine on the singles chart.

Orchestra Wives (1942) – “At Last”

1942 HITS ARCHIVE: At Last – Glenn Miller (Ray Eberle, vocal)

At last my love has come along
My lonely days are over
And life is like a song
At last
The skies above are blue
My heart was wrapped up in clover
The night I looked at you

I found a dream that I could speak to
A dream that I can call my own
I found a thrill to press my cheek to
A thrill that I have never known

You smiled and then the spell was cast
Now here we are in heaven
For you are mine at last

La foule – Música

“La Foule” (French pronunciation: ​[la ful]; “The Crowd”) is a song sung by famed French singer Édith Piaf, released in 1957. The song was composed by Ángel Cabral [es] with lyrics written by Michel Rivgauche [fr].

Edith Piaf – La foule

Edith Piaf – La Foule (live)

Je revois la ville en fête et en délire
Suffoquant sous le soleil et sous la joie
Et j’entends dans la musique les cris, les rires
Qui éclatent et rebondissent autour de moi
Et perdue parmi ces gens qui me bousculent
Étourdie, désemparée, je reste là
Quand soudain, je me retourne, il se recule,
Et la foule vient me jeter entre ses bras…

Emportés par la foule qui nous traîne
Nous entraîne
Écrasés l’un contre l’autre
Nous ne formons qu’un seul corps
Et le flot sans effort
Nous pousse, enchaînés l’un et l’autre
Et nous laisse tous deux
Épanouis, enivrés et heureux.

Entraînés par la foule qui s’élance
Et qui danse
Une folle farandole
Nos deux mains restent soudées
Et parfois soulevés
Nos deux corps enlacés s’envolent
Et retombent tous deux
Épanouis, enivrés et heureux…

Et la joie éclaboussée par son sourire
Me transperce et rejaillit au fond de moi
Mais soudain je pousse un cri parmi les rires
Quand la foule vient l’arracher d’entre mes bras…

Emportés par la foule qui nous traîne
Nous entraîne
Nous éloigne l’un de l’autre
Je lutte et je me débats
Mais le son de sa voix
S’étouffe dans les rires des autres
Et je crie de douleur, de fureur et de rage
Et je pleure…

Entraînée par la foule qui s’élance
Et qui danse
Une folle farandole
Je suis emportée au loin
Et je crispe mes poings, maudissant la foule qui me vole
L’homme qu’elle m’avait donné
Et que je n’ai jamais retrouvé…

Louise – Música

“Louise” is a song written by Leo Robin & Richard A. Whiting for the 1929 film Innocents of Paris, where it was performed by Maurice Chevalier. The song was Chevalier’s first hit in the United States, and was among the best selling records for 10 weeks in the summer of 1929. Chevalier recorded the song again in 1946 with Henri René’s Orchestra – RCA VICTOR-25-0093-A.

1929 HITS ARCHIVE: Louise – Maurice Chevalier

Maurice Chevalier & Leonard Joy Orchestra – Louise 1929

Wonderful! Oh, it’s wonderful
To be in love with you.
Beautiful! You’re so beautiful,
You haunt me all day through.

Every little breeze seems to whisper “Louise.”
Birds in the trees seem to twitter “Louise.”
Each little rose
Tells me it knows I love you, love you.

Every little beat that I feel in my heart,
Seems to repeat, What I felt from the start,
Each little sigh
Tells me that I adore you, Louise.

Just to see and hear you
Brings joy I never knew.
But to be so near you,
Thrills me through and through.

Anyone can see why I wanted your kiss,
It had to be But the wonder is this:
Can it be true,
Someone like you Could love me, Louise?

Innocent! You’re so innocent
And gentle as a dove.
Heaven sent! You were heaven sent,
An angel from above.

Every little breeze seems to whisper “Louise.”
Birds in the trees seem to twitter “Louise.”
Each little rose
Tells me it knows I love you, love you.

Every little beat that I feel in my heart,
Seems to repeat, What I felt from the start,
Each little sigh
Tells me that I adore you, Louise.

Often when I’m gloomy
And in my lonely room.
Thoughts of you come to me,
Like a sweet perfume.

Anyone can see why I wanted your kiss,
It had to be But the wonder is this:
Can it be true,
Someone like you Could love me, Louise?

That’ll Be The Day – Música

“That’ll Be the Day” is a song written by Buddy Holly and Jerry Allison. It was first recorded by Buddy Holly and the Three Tunes in 1956 and was re-recorded in 1957 by Holly and his new band, the Crickets. The 1957 recording achieved widespread success. Holly’s producer, Norman Petty, was credited as a co-writer, although he did not contribute to the composition.

Buddy Holly & The Crickets – That’ll Be The Day

1957 HITS ARCHIVE: That’ll Be The Day – Buddy Holly & The Crickets (#1 hit)

Well, that’ll be the day when you say goodbye
Yes, that’ll be the day when you make me cry
You say you gonna leave, you know it’s a lie
‘Cause that’ll be the day when I die

Well, you give me all your lovin’ and your turtle dovin’
All your hugs and kisses and your money, too
Well, you know you love me, baby
Still you tell me, maybe
That some day, well, I’ll be blue

Well, that’ll be the day when you say goodbye
Yes, that’ll be the day when you make me cry
You say you gonna leave, you know it’s a lie
‘Cause that’ll be the day when I die

Well, that’ll be the day when you say goodbye
Yes, that’ll be the day when you make me cry
You say you gonna leave, you know it’s a lie
‘Cause that’ll be the day when I die

Well, when Cupid shot his dart
He shot it at your heart
So if we ever part and I leave you
You say you told me, an’ you told me boldly
That someday, well, I’ll be blue

Well, that’ll be the day when you say goodbye
Yes, that’ll be the day when you make me cry
You say you gonna leave, you know it’s a lie
‘Cause that’ll be the day when I die

Well that’ll be the day, ooh hoo
That’ll be the day, ooh hoo
That’ll be the day, ooh hoo
That’ll be the day

Mozart – Piano Concerto no. 5 – Música

Wolfgang Amadeus Mozart (Salzburg, 27 de gener de 1756 − Viena, 5 de desembre de 1791) fou un compositor austríac, àmpliament considerat un dels més destacats de la història de la música occidental. La seva influència va ser profundíssima, tant en el món germànic com en el llatí. A diferència de qualsevol altre compositor en la història musical, va escriure en tots els gèneres musicals de la seva època i va excel·lir-ne en cadascú, així com per la seva sorprenent fluïdesa de composició.

Mozart | Piano Concerto 5